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Methods and Tools for Transcribing Electroacoustic Music

  • On 19 mai 2018

Fourth International Conference on Technologies for Music Notation and Representation
Wednesday, May 23 – 11:15 – Montréal, CIRMMT A-832

Information: http://tenor2018.tenor-conference.org

Abstract

This article presents some tools and methods to carry out transcriptions of electroacoustic music. It introduces the relationship between sound analysis and image or draw- ing at the birth of electroacoustic music and explains the interest of creating transcriptions. The article contains a proposed framework, based on several years of practice, which links musical analysis to transcription, sound analy- sis and representation. The different parts of a transcription are then detailed and methods are proposed to create anno- tations with reference to various examples I have created since the late 1990s.
The last section presents the EAnalysis package, devel- oped with Simon Emmerson and Leigh Landy at Leicester’s De Montfort University, in order to create a tool for analyzing, transcribing and representing electroacous- tic music. It introduces the interface, the architecture and the transcription features of this piece of software in rela- tion to other technologies.

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Professeur des universités

Université Évry Paris-Saclay

Centre d’histoire culturelle des sociétés contemporaines (CHCSC) – EA 2448

Histoire de la musique, analyse musicale, musicologie numérique, musique électroacoustique, représentation musicale, informatique musicale

Recherches
  • Analyse de l’interprétation acousmatique
  • NATIV
  • New Multimedia Tools for Electroacoustic Music Analysis
  • ElectroAcoustic Resource Site
  • Thèse
  • Habilitation à diriger des recherches
  • Fiche pratique : outils numériques pour la recherche

Approches analytiques de l’œuvre électroacoustique de Iannis Xenakis : Taurhiphanie et le Voyage absolu des Unari vers Andromède

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EMS18 Conference Theme: Electroacoustic Music: is it still a form of experimental music?

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