Interactive Music Notation and Representation Workshop@NIME 2014
- On 11 juin 2014
Mon. June 30th, 2014 – 9:30 to 13:00
Goldsmiths, University of London
Computer music tools for music notation have long been restricted to conventional approaches and dominated by a few systems, mainly oriented towards music engraving. During the last decade and driven by artistic and technological evolutions, new tools and new forms of music representation have emerged. The recent advent of systems like Bach, MaxScore or INScore (to cite just a few), clearly indicates that computer music notation tools have become mature enough to diverge from traditional approaches and to explore new domains and usages such as interactive and live notation.
The aim of the workshop is to gather artists, researchers and application developers, to compare the views and the needs inspired by contemporary practices, with a specific focus on interactive and live music, including representational forms emerging from live coding. Special consideration will be given to new instrumental forms emerging from the NIME community.
Registration
Workshop attendees must register for NIME for at least one of Tuesday, Wednesday or Thursday (see here) but don’t pay for the workshop day. You must send an email to dfober@gmail.com with your coordinates to be registered to the workshop itself.
Preliminary program
- Animated Notation Dot Com: 2014 Report – Ryan Ross Smith
- Timelines in Algorithmic Notation – Thor Magnusson
- Breaking the Notational Barrier: Liveness in Computer Music – Chris Nash
- Quid Sit Musicus: Interacting with Calligraphic Gestures – J. Garcia, G. Nouno, P. Leroux
- Non-Visual Scores for Ensemble Comprovisation – Sandeep Bhagwati
- Interactive and real-time composition with soloists and music ensembles – Georg Hajdu
- A javascript library for collaborative composition of lead sheets – D. Martín, F. Pachet
- (Pre)compositional strategies and computer-generated notation in surface/tension (2012) for oboe and piano or ensemble – Sam Hayden
- On- and off-screen: presentation and notation in interactive electronic music – Pete Furniss
- John Cage Solo for Sliding Trombone, a Computer Assisted Performance approach – B. Sluchin, M. Malt
- Deriving a Chart-Organised Notation from a Sonogram Based Exploration: TIAALS (Tools for Interactive Aural Analysis) – M. Clarke, F. Dufeu, P Manning
Organisation
- Groupe de travail AFIM Les nouveaux espaces de la notation musicale – Jean Bresson, Pierre Couprie, Dominique Fober, Yann Geslin.
- Richard Hoadley, Anglia Ruskin University, Cambridge.
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