{"id":647,"date":"2013-01-08T11:03:57","date_gmt":"2013-01-08T10:03:57","guid":{"rendered":"http:\/\/www.pierrecouprie.fr\/?p=647"},"modified":"2013-01-09T22:49:59","modified_gmt":"2013-01-09T21:49:59","slug":"la-representation-du-son-dans-lanalyse-musicale-de-la-publication-interactive-au-developpement-de-logiciels","status":"publish","type":"post","link":"https:\/\/www.pierrecouprie.fr\/?p=647","title":{"rendered":"La repr\u00e9sentation du son dans l&rsquo;analyse musicale : de la publication interactive au d\u00e9veloppement de logiciels"},"content":{"rendered":"<p><a href=\"http:\/\/www.pierrecouprie.fr\/?attachment_id=663\" rel=\"attachment wp-att-663\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-663 alignleft\" alt=\"a5fb9f53e125378f6c8c5bf55956e198.media.900x508\" src=\"http:\/\/www.pierrecouprie.fr\/wp-content\/uploads\/2013\/01\/a5fb9f53e125378f6c8c5bf55956e198.media_.900x508-300x169.jpg\" width=\"300\" height=\"169\" srcset=\"https:\/\/www.pierrecouprie.fr\/wp-content\/uploads\/2013\/01\/a5fb9f53e125378f6c8c5bf55956e198.media_.900x508-300x169.jpg 300w, https:\/\/www.pierrecouprie.fr\/wp-content\/uploads\/2013\/01\/a5fb9f53e125378f6c8c5bf55956e198.media_.900x508-500x282.jpg 500w, https:\/\/www.pierrecouprie.fr\/wp-content\/uploads\/2013\/01\/a5fb9f53e125378f6c8c5bf55956e198.media_.900x508.jpg 900w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a>Pr\u00e9sentation durant le s\u00e9minaire MaMux du 1er f\u00e9vrier 2013 consacr\u00e9 \u00e0 la\u00a0<em>Repr\u00e9sentation des signaux sonores num\u00e9riques : perspectives pour l&rsquo;interpr\u00e9tation et la manipulation musicale.<\/em><\/p>\n<p>Renseignements :\u00a0<a href=\"http:\/\/repmus.ircam.fr\/mamux\/saisons\/saison12-2012-2013\/2013-02-01\" target=\"_blank\">http:\/\/repmus.ircam.fr\/mamux\/saisons\/saison12-2012-2013\/2013-02-01<\/a><\/p>\n<p><strong>R\u00e9sum\u00e9 de ma pr\u00e9sentation<\/strong><\/p>\n<p>Les publications d&rsquo;analyse musicale utilisent couramment diff\u00e9rents types de repr\u00e9sentations du son. De la forme d&rsquo;onde au sonagramme enrichi d&rsquo;annotations, ces repr\u00e9sentations sont g\u00e9n\u00e9ralement pens\u00e9es en compl\u00e9ment d&rsquo;un discours, de fragments de partitions et sont associ\u00e9es aux fichiers audio ou vid\u00e9o. Certaines publications ont commenc\u00e9 \u00e0 explorer le domaine de l&rsquo;interactivit\u00e9 afin d&rsquo;enrichir l&rsquo;exp\u00e9rience du lecteur. Mais force est de constater que la r\u00e9alisation de telles repr\u00e9sentations n&rsquo;est pas toujours ais\u00e9e pour le musicologue. C&rsquo;est la raison pour laquelle j&rsquo;ai d\u00e9velopp\u00e9 les logiciels iAnalyse pour la musique \u00e9crite et EAnalysis pour la musique \u00e9lectroacoustique.<br \/>\nApr\u00e8s un rapide \u00e9tat des lieux sur les publications musicologiques utilisant les repr\u00e9sentations physiques du son, je montrerai les avanc\u00e9es de ces deux logiciels tant sur le plan de l&rsquo;interface que des r\u00e9alisations qu&rsquo;ils permettent.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pr\u00e9sentation durant le s\u00e9minaire MaMux du 1er f\u00e9vrier 2013 consacr\u00e9 \u00e0 la\u00a0Repr\u00e9sentation des signaux sonores num\u00e9riques : perspectives pour l&rsquo;interpr\u00e9tation et la manipulation musicale. Renseignements :\u00a0http:\/\/repmus.ircam.fr\/mamux\/saisons\/saison12-2012-2013\/2013-02-01 R\u00e9sum\u00e9 de ma pr\u00e9sentation Les publications d&rsquo;analyse musicale utilisent couramment diff\u00e9rents types de repr\u00e9sentations du son. De la forme d&rsquo;onde au sonagramme enrichi d&rsquo;annotations, ces repr\u00e9sentations sont g\u00e9n\u00e9ralement pens\u00e9es [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[11,20,19,10],"tags":[],"class_list":["post-647","post","type-post","status-publish","format-standard","hentry","category-conference","category-eanalysis","category-ianalyse","category-recherche"],"_links":{"self":[{"href":"https:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts\/647","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=647"}],"version-history":[{"count":6,"href":"https:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts\/647\/revisions"}],"predecessor-version":[{"id":665,"href":"https:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts\/647\/revisions\/665"}],"wp:attachment":[{"href":"https:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=647"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=647"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=647"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}