{"id":2122,"date":"2019-03-01T09:50:17","date_gmt":"2019-03-01T08:50:17","guid":{"rendered":"http:\/\/www.pierrecouprie.fr\/?p=2122"},"modified":"2019-03-29T19:30:04","modified_gmt":"2019-03-29T18:30:04","slug":"sheng-lorgue-a-bouche-des-dizaines-de-sons-des-centaines-de-musique","status":"publish","type":"post","link":"https:\/\/www.pierrecouprie.fr\/?p=2122","title":{"rendered":"Sheng ! L&rsquo;orgue \u00e0 bouche Des dizaines de sons des centaines de musique"},"content":{"rendered":"\n<p>Pr\u00e9sentation du projet<\/p>\n\n\n\n<p>17 avril 2019, 14h30-17h30 Ircam, salle Stravinsky<br>Entr\u00e9e libre<br><\/p>\n\n\n\n<p>Le&nbsp;<em>sheng<\/em>&nbsp;(orgue \u00e0 bouche) est un instrument riche d\u2019une longue histoire dont le r\u00e9pertoire se partage entre la tradition et le contemporain. Pour accueillir et encourager de prochaines cr\u00e9ations, nous souhaitons r\u00e9unir dans un premier temps une \u00e9quipe de chercheurs (France, Allemagne, Autriche, Chine, Taiwan, Japon) pour travailler sur l\u2019histoire, les diff\u00e9rents mod\u00e8les d\u2019orgue \u00e0 bouche, le r\u00e9pertoire, l\u2019\u00e9tude acoustique, l\u2019analyse gestuelle d\u2019improvisation, la combinaison de doigt\u00e9s, la notation, et pour explorer cet instrument historique qui se pr\u00eate de fa\u00e7on surprenante \u00e0 la modernit\u00e9. Toutes ces recherches seront accompagn\u00e9es par une s\u00e9rie de s\u00e9minaires.&nbsp;<\/p>\n\n\n\n<p><strong>Les dates des 6 s\u00e9minaires du projet programm\u00e9s&nbsp;\u00e0 l&rsquo;Ircam&nbsp; :&nbsp;<\/strong><\/p>\n\n\n\n<p>S\u00e9minaire 1&nbsp;l&nbsp; mardi 15 octobre 2019 &nbsp;l&nbsp; Les orgues \u00e0 bouche&nbsp;<em>sheng<\/em>,<em>&nbsp;khen<\/em>&nbsp;et<em>&nbsp;sh\u00f4<\/em>&nbsp;:&nbsp;mod\u00e8les traditionnels&nbsp;<\/p>\n\n\n\n<p>S\u00e9minaire 2&nbsp;&nbsp;l&nbsp; mardi 19 novembre 2019 &nbsp;l&nbsp; &nbsp;Les orgues \u00e0 bouche&nbsp;<em>sheng<\/em>&nbsp;:&nbsp;mod\u00e8les r\u00e9nov\u00e9s<\/p>\n\n\n\n<p>S\u00e9minaire 3&nbsp;&nbsp;l&nbsp; mardi 10 d\u00e9cembre&nbsp;2019 &nbsp;l&nbsp; Analyse&nbsp;acoustique&nbsp;du<em>&nbsp;sheng<\/em><\/p>\n\n\n\n<p>S\u00e9minaire 4&nbsp;l&nbsp; &nbsp;mardi 14 janvier&nbsp;2020&nbsp;&nbsp;l&nbsp;&nbsp;<em>Sh\u00f4 et sheng&nbsp;<\/em>: R\u00e9pertoire contemporain I, analyse musicale et le r\u00f4le novateur<em>&nbsp;<\/em>de Wu Wei<\/p>\n\n\n\n<p>S\u00e9minaire 5&nbsp;l&nbsp; mardi 10&nbsp;mars 2020&nbsp;&nbsp;l&nbsp;&nbsp;<em>Sh\u00f4 et sheng&nbsp;<\/em>: R\u00e9pertoire contemporain II, analyse musicale et le r\u00f4le&nbsp;novateur&nbsp;de plusieurs ma\u00eetres du&nbsp;<em>sh\u00f4<\/em>&nbsp; &nbsp; &nbsp; &nbsp; &nbsp;&nbsp;<\/p>\n\n\n\n<p>S\u00e9minaire 6&nbsp;&nbsp;l&nbsp; mardi 12 mai 2020 &nbsp;l&nbsp; Analyse&nbsp;sur le geste d\u2019improvisation&nbsp;<\/p>\n\n\n\n<p><strong>Equipe de pilotage :<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>Jean-Marc Chouvel (Sorbonne Universit\u00e9, IReMus)<\/li><li>Pierre Couprie (Sorbonne Universit\u00e9, IReMus)<\/li><li>Lin-Ni Liao (TPMC &#8211; IReMus)<\/li><li>Mikhail Malt (IRCAM &#8211; IReMus)<\/li><li>Fran\u00e7ois Picard (Sorbonne Universit\u00e9, IReMus)<\/li><\/ul>\n\n\n\n<p><strong>Chercheurs invit\u00e9s :<\/strong><\/p>\n\n\n\n<ul class=\"wp-block-list\"><li>V\u00e9ronique Brindeau (Inalco\/CEJ)<\/li><li>Ren\u00e9 Causs\u00e9 (IRCAM &#8211; STMS Lab)<\/li><li>V\u00e9ronique de Laven\u00e8re (Sorbonne Universit\u00e9, IReMus)<\/li><li>Seiko Suzuki (Inalco, Universit\u00e9 Diderot\/CRCAO)<\/li><\/ul>\n\n\n\n<p><strong>Musicienne invit\u00e9e :<\/strong>&nbsp;Li-Chin Li<\/p>\n\n\n\n<p>Organisation :<\/p>\n\n\n\n<p>STMS (UMR Ircam\/CNRS\/Sorbonne Universit\u00e9\/ Minist\u00e8re de la culture), Collegium Music\u00e6, IReMus, CNRS, Sorbonne Universit\u00e9,<br>MCC, TPMC<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Pr\u00e9sentation du projet 17 avril 2019, 14h30-17h30 Ircam, salle StravinskyEntr\u00e9e libre Le&nbsp;sheng&nbsp;(orgue \u00e0 bouche) est un instrument riche d\u2019une longue histoire dont le r\u00e9pertoire se partage entre la tradition et le contemporain. Pour accueillir et encourager de prochaines cr\u00e9ations, nous souhaitons r\u00e9unir dans un premier temps une \u00e9quipe de chercheurs (France, Allemagne, Autriche, Chine, Taiwan, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2130,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-2122","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-non-classe"],"_links":{"self":[{"href":"https:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts\/2122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2122"}],"version-history":[{"count":2,"href":"https:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts\/2122\/revisions"}],"predecessor-version":[{"id":2126,"href":"https:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts\/2122\/revisions\/2126"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/media\/2130"}],"wp:attachment":[{"href":"https:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2122"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2122"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}