{"id":2203,"date":"2019-09-02T08:33:16","date_gmt":"2019-09-02T06:33:16","guid":{"rendered":"http:\/\/www.pierrecouprie.fr\/?p=2203"},"modified":"2019-10-05T22:14:45","modified_gmt":"2019-10-05T20:14:45","slug":"gesture-behind-notation-and-representation","status":"publish","type":"post","link":"http:\/\/www.pierrecouprie.fr\/?p=2203","title":{"rendered":"Gesture Behind Notation and Representation"},"content":{"rendered":"\n<p><strong>GMTH \u2013 19. Jahreskongress der Gesellschaft f\u00fcr Musiktheorie<\/strong><br>Notation. Schnittstelle zwischen Komposition, Interpretation und Analyse<br>Interface between Composition, Interpretation and Analysis<\/p>\n\n\n\n<p>Do, 3. Oktober 2019 &#8211; So, 6. Oktober 2019<br>Z\u00fcrcher Hochschule der K\u00fcnste, Z\u00fcrich<\/p>\n\n\n\n<p><strong>Abstract<\/strong><\/p>\n\n\n\n<p>The\nmusicological study of contemporary musical creation presents many\ndifficulties. Works using digital technology both for their writing&nbsp;\u2013&nbsp;score\ngenerated by algorithms or algorithmic scores&nbsp;\u2013&nbsp;and for their\nperformance&nbsp;\u2013&nbsp;interactive devices and new musical interfaces&nbsp;\u2013&nbsp;pose\nmany methodological problems for musical analysis. For example, it is often\ndifficult to understand how the written parts of a work are realized between\nthe score, the algorithms present in the interactive device and the affordance\nof the interface or the digital lutherie. Similarly, how can we approach the\nwork in an allographic way through its multiple aspects: from the composer&rsquo;s\nthought to the listener&rsquo;s perception, or even the musicological study?<\/p>\n\n\n\n<p>In this presentation, I consider the allographic regime of the works as a gestural chain, from the composer&rsquo;s inner gesture&nbsp;\u2013&nbsp;his mental representations&nbsp;\u2013&nbsp;to the perception of musical gestures by the listener and the musicologist, including the writing of the gesture&nbsp;\u2013&nbsp;score, algorithmic part of interactive works, inherent score or affordance of instruments and interfaces, musical representation and visualization, and so forth. All these manifestations and indicators of gestures compose a complex reality that makes it possible to study the work no longer as a sum of typologies or categories but rather in a global systemic approach.<\/p>\n\n\n\n<p>Program: <a href=\"https:\/\/www.zhdk.ch\/studium\/musik\/kompositiontheorie\/gmth\">https:\/\/www.zhdk.ch\/studium\/musik\/kompositiontheorie\/gmth<\/a><\/p>\n\n\n\n<p>Inscription and information: <a href=\"https:\/\/eventfrog.ch\/de\/p\/kurse-seminare\/musik-tanz\/gmth-19-jahreskongress-der-gesellschaft-fuer-musiktheorie-6539130072350101944.html\">https:\/\/eventfrog.ch\/de\/p\/kurse-seminare\/musik-tanz\/gmth-19-jahreskongress-der-gesellschaft-fuer-musiktheorie-6539130072350101944.html<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>GMTH \u2013 19. Jahreskongress der Gesellschaft f\u00fcr MusiktheorieNotation. Schnittstelle zwischen Komposition, Interpretation und AnalyseInterface between Composition, Interpretation and Analysis Do, 3. Oktober 2019 &#8211; So, 6. Oktober 2019Z\u00fcrcher Hochschule der K\u00fcnste, Z\u00fcrich Abstract The musicological study of contemporary musical creation presents many difficulties. Works using digital technology both for their writing&nbsp;\u2013&nbsp;score generated by algorithms or [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":2213,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[11,10],"tags":[],"class_list":["post-2203","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-conference","category-recherche"],"_links":{"self":[{"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts\/2203","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=2203"}],"version-history":[{"count":8,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts\/2203\/revisions"}],"predecessor-version":[{"id":2225,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts\/2203\/revisions\/2225"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/media\/2213"}],"wp:attachment":[{"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=2203"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=2203"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=2203"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}