{"id":1958,"date":"2018-05-19T09:00:14","date_gmt":"2018-05-19T07:00:14","guid":{"rendered":"http:\/\/www.pierrecouprie.fr\/?p=1958"},"modified":"2019-01-20T11:25:12","modified_gmt":"2019-01-20T10:25:12","slug":"methods-and-tools-for-transcribing-electroacoustic-music","status":"publish","type":"post","link":"http:\/\/www.pierrecouprie.fr\/?p=1958","title":{"rendered":"Methods and Tools for Transcribing Electroacoustic Music"},"content":{"rendered":"<p>Fourth International Conference on Technologies for Music Notation and Representation<br \/>\nWednesday, May 23 &#8211; 11:15 &#8211; Montr\u00e9al,&nbsp;CIRMMT A-832<\/p>\n<p>Information:&nbsp;<a href=\"http:\/\/tenor2018.tenor-conference.org\" target=\"_blank\" rel=\"noopener\">http:\/\/tenor2018.tenor-conference.org<\/a><\/p>\n<p><strong>Abstract<\/strong><\/p>\n<p>This article presents some tools and methods to carry out transcriptions of electroacoustic music. It introduces the relationship between sound analysis and image or draw- ing at the birth of electroacoustic music and explains the interest of creating transcriptions. The article contains a proposed framework, based on several years of practice, which links musical analysis to transcription, sound analy- sis and representation. The different parts of a transcription are then detailed and methods are proposed to create anno- tations with reference to various examples I have created since the late 1990s.<br \/>\nThe last section presents the EAnalysis package, devel- oped with Simon Emmerson and Leigh Landy at Leicester\u2019s De Montfort University, in order to create a tool for analyzing, transcribing and representing electroacous- tic music. It introduces the interface, the architecture and the transcription features of this piece of software in rela- tion to other technologies.<\/p>\n<p><a href=\"http:\/\/www.pierrecouprie.fr\/?attachment_id=1959\" rel=\"attachment wp-att-1959\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-1959\" src=\"http:\/\/www.pierrecouprie.fr\/wp-content\/uploads\/2018\/05\/figureSud-1024x562.jpg\" alt=\"\" width=\"584\" height=\"321\" srcset=\"http:\/\/www.pierrecouprie.fr\/wp-content\/uploads\/2018\/05\/figureSud-1024x562.jpg 1024w, http:\/\/www.pierrecouprie.fr\/wp-content\/uploads\/2018\/05\/figureSud-300x165.jpg 300w, http:\/\/www.pierrecouprie.fr\/wp-content\/uploads\/2018\/05\/figureSud-768x422.jpg 768w, http:\/\/www.pierrecouprie.fr\/wp-content\/uploads\/2018\/05\/figureSud-500x275.jpg 500w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Fourth International Conference on Technologies for Music Notation and Representation Wednesday, May 23 &#8211; 11:15 &#8211; Montr\u00e9al,&nbsp;CIRMMT A-832 Information:&nbsp;http:\/\/tenor2018.tenor-conference.org Abstract This article presents some tools and methods to carry out transcriptions of electroacoustic music. It introduces the relationship between sound analysis and image or draw- ing at the birth of electroacoustic music and explains the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":1959,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[11,10],"tags":[],"class_list":["post-1958","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-conference","category-recherche"],"_links":{"self":[{"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts\/1958","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1958"}],"version-history":[{"count":2,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts\/1958\/revisions"}],"predecessor-version":[{"id":1961,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts\/1958\/revisions\/1961"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/media\/1959"}],"wp:attachment":[{"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1958"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1958"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1958"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}