{"id":1756,"date":"2017-05-21T18:37:45","date_gmt":"2017-05-21T16:37:45","guid":{"rendered":"http:\/\/www.pierrecouprie.fr\/?p=1756"},"modified":"2017-05-17T22:08:34","modified_gmt":"2017-05-17T20:08:34","slug":"une-experience-de-captation-et-danalyse-de-linterpretation-acousmatique","status":"publish","type":"post","link":"http:\/\/www.pierrecouprie.fr\/?p=1756","title":{"rendered":"Une exp\u00e9rience de captation et d&rsquo;analyse de l&rsquo;interpr\u00e9tation acousmatique"},"content":{"rendered":"<p>Nathana\u00eblle Raboisson,&nbsp;MotusLab, Compagnie musicale Motus<br \/>\nPierre Couprie,&nbsp;IReMus, Universit\u00e9 Paris-Sorbonne<\/p>\n<p><a href=\"http:\/\/www.pierrecouprie.fr\/?attachment_id=1757\" rel=\"attachment wp-att-1757\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-large wp-image-1757\" src=\"http:\/\/www.pierrecouprie.fr\/wp-content\/uploads\/2017\/05\/Capture-d\u2019\u00e9cran-2017-05-04-\u00e0-18.39.56-1024x656.png\" alt=\"\" width=\"584\" height=\"374\" srcset=\"http:\/\/www.pierrecouprie.fr\/wp-content\/uploads\/2017\/05\/Capture-d\u2019\u00e9cran-2017-05-04-\u00e0-18.39.56-1024x656.png 1024w, http:\/\/www.pierrecouprie.fr\/wp-content\/uploads\/2017\/05\/Capture-d\u2019\u00e9cran-2017-05-04-\u00e0-18.39.56-300x192.png 300w, http:\/\/www.pierrecouprie.fr\/wp-content\/uploads\/2017\/05\/Capture-d\u2019\u00e9cran-2017-05-04-\u00e0-18.39.56-768x492.png 768w, http:\/\/www.pierrecouprie.fr\/wp-content\/uploads\/2017\/05\/Capture-d\u2019\u00e9cran-2017-05-04-\u00e0-18.39.56-500x320.png 500w\" sizes=\"auto, (max-width: 584px) 100vw, 584px\" \/><\/a><\/p>\n<p>Cet article pr\u00e9sente la collaboration entre la compagnie musicale Motus et l\u2019Institut de recherche en musicologie (IReMus) sur l\u2019analyse de l\u2019interpr\u00e9tation de la musique acousmatique. Cette \u00e9tude syst\u00e9matique a n\u00e9cessit\u00e9 le d\u00e9veloppement de deux logiciels dans l&rsquo;environnement Max pour la captation et l\u2019analyse des interpr\u00e9tations. Sur le plan musicologique, ces logiciels ont permis de pr\u00e9ciser les caract\u00e9ristiques d\u2019une interpr\u00e9tation acousmatique. Les logiciels se sont aussi av\u00e9r\u00e9s \u00eatre particuli\u00e8rement adapt\u00e9s \u00e0 un usage p\u00e9dagogique dans la formation des jeunes interpr\u00e8tes. Enfin, cette \u00e9tude a mis en \u00e9vidence de nouvelles perspectives dans le domaine de la captation et de l\u2019\u00e9tude de l\u2019interpr\u00e9tation acousmatique.<\/p>\n<p>T\u00e9l\u00e9charger l&rsquo;article :&nbsp;<a href=\"https:\/\/jim2017.sciencesconf.org\/data\/Nathanaelle_Raboisson2017aa.pdf\" target=\"_blank\" rel=\"noopener noreferrer\">https:\/\/jim2017.sciencesconf.org\/data\/Nathanaelle_Raboisson2017aa.pdf<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nathana\u00eblle Raboisson,&nbsp;MotusLab, Compagnie musicale Motus Pierre Couprie,&nbsp;IReMus, Universit\u00e9 Paris-Sorbonne Cet article pr\u00e9sente la collaboration entre la compagnie musicale Motus et l\u2019Institut de recherche en musicologie (IReMus) sur l\u2019analyse de l\u2019interpr\u00e9tation de la musique acousmatique. Cette \u00e9tude syst\u00e9matique a n\u00e9cessit\u00e9 le d\u00e9veloppement de deux logiciels dans l&rsquo;environnement Max pour la captation et l\u2019analyse des interpr\u00e9tations. Sur [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[11,18,26,10],"tags":[],"class_list":["post-1756","post","type-post","status-publish","format-standard","hentry","category-conference","category-developpement","category-motuslab-recorder-reader","category-recherche"],"_links":{"self":[{"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts\/1756","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1756"}],"version-history":[{"count":4,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts\/1756\/revisions"}],"predecessor-version":[{"id":1763,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts\/1756\/revisions\/1763"}],"wp:attachment":[{"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1756"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1756"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1756"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}