Voici un appel \u00e0 communication.<\/p>\n
La musique \u00ab mixte \u00bb (m\u00ealant des \u00e9l\u00e9ments instrumentaux et \u00e9lectroniques) est riche de plus d\u2019un demi-si\u00e8cle d\u2019histoire, dont beaucoup d\u2019aspects restent m\u00e9connus. L\u2019analyse musicale a trouv\u00e9 en elle un objet glissant : coexistence de deux mondes sonores et de deux types de notations, difficult\u00e9s d\u2019interpr\u00e9tation, multiplicit\u00e9 des paradigmes technologiques, obsolescence rapide des moyens techniques impliqu\u00e9s…
\nComment rendre compte de ces \u0153uvres sans les r\u00e9duire tant\u00f4t \u00e0 des partitions, tant\u00f4t \u00e0 des traces sonores ? Quelles m\u00e9thodes d\u2019analyse et quels outils de repr\u00e9sentation privil\u00e9gier pour les comprendre ?<\/p>\n
Mixed music (a mix of instrumental and electronic elements) has existed for more than half a century. However, many of its aspects remain unknown. Musical analysis has found in it a slippery object: coexistence of two sound worlds and two types of notations, difficulties in interpretation, multiple technological paradigms, rapid obsolescence of involved technical means…
\nHow might we give an account of these pieces without reducing them either to scores, or to sound tracks? Which analysis methods and representation tools do we need to understand them?<\/p>\n
Appel \u00e0 communication : Analyser la musique mixte<\/a><\/p>\n