{"id":1294,"date":"2015-05-01T08:12:28","date_gmt":"2015-05-01T06:12:28","guid":{"rendered":"http:\/\/www.pierrecouprie.fr\/?p=1294"},"modified":"2015-04-26T19:24:01","modified_gmt":"2015-04-26T17:24:01","slug":"revue-circuit-volume-25-numero-1","status":"publish","type":"post","link":"http:\/\/www.pierrecouprie.fr\/?p=1294","title":{"rendered":"Revue Circuit, volume 25 num\u00e9ro 1"},"content":{"rendered":"<p><strong>Contenir le sonore.<br \/>\n<\/strong><strong style=\"line-height: 1.5;\">Les nouveaux profils de la notation<\/strong><\/p>\n<p>Ce volume 25, num\u00e9ro 1 a \u00e9t\u00e9 codirig\u00e9 par Isabelle Panneton et Marie-Pierre Brasset. Il explore le th\u00e8me de la notation musicale sous les angles historique, analytique et esth\u00e9tique, \u00e0 travers les contributions de Caroline Traube, Pierre Couprie, Georges Forget et Fran\u00e7ois-Xavier F\u00e9ron.<\/p>\n<p><a href=\"http:\/\/www.pierrecouprie.fr\/wp-content\/uploads\/2015\/04\/f6534bcb-94b0-4f98-a432-498b9ebd221b.png\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone  wp-image-1295\" src=\"http:\/\/www.pierrecouprie.fr\/wp-content\/uploads\/2015\/04\/f6534bcb-94b0-4f98-a432-498b9ebd221b.png\" alt=\"f6534bcb-94b0-4f98-a432-498b9ebd221b\" width=\"582\" height=\"639\" srcset=\"http:\/\/www.pierrecouprie.fr\/wp-content\/uploads\/2015\/04\/f6534bcb-94b0-4f98-a432-498b9ebd221b.png 731w, http:\/\/www.pierrecouprie.fr\/wp-content\/uploads\/2015\/04\/f6534bcb-94b0-4f98-a432-498b9ebd221b-273x300.png 273w, http:\/\/www.pierrecouprie.fr\/wp-content\/uploads\/2015\/04\/f6534bcb-94b0-4f98-a432-498b9ebd221b-455x500.png 455w\" sizes=\"auto, (max-width: 582px) 100vw, 582px\" \/><\/a><\/p>\n<p>Introduction : \u00e0 la recherche des neumes de demain<br \/>\nIsabelle Panneton et Marie-Pierre Brasset<\/p>\n<p>Avant de tourner la page&#8230; Petite histoire des outils d&rsquo;\u00e9dition musicale<br \/>\nGeorges Forget<\/p>\n<p>La notation du timbre instrumental : noter la cause ou l&rsquo;effet dans le rapport geste-son<br \/>\nCaroline Traube<\/p>\n<p>Prol\u00e9gom\u00e8nes \u00e0 la repr\u00e9sentation analytique des musiques \u00e9lectroacoustiques<br \/>\nPierre Couprie<\/p>\n<p>Enjeux et \u00e9volution du syst\u00e8me de notation dans Pression pour un(e) violoncelliste de Helmut Lachenmann<br \/>\nFran\u00e7ois-Xavier F\u00e9ron<\/p>\n<p>ENQU\u00caTE<\/p>\n<p>Perspectives de chefs : points de vue de trois chefs d&rsquo;orchestre qu\u00e9b\u00e9cois sur la notation musicale aujourd&rsquo;hui<br \/>\nMarie-Pierre Brasset<\/p>\n<p>EXCLUSIVIT\u00c9 WEB<\/p>\n<p>\u00ab\u00a0L&rsquo;autre Gould\u00a0\u00bb en baladodiffusion<\/p>\n<p>ACTUALIT\u00c9S<\/p>\n<p>Entendu dans Cette ville \u00e9trange : d&rsquo;accessibilit\u00e9 et d&rsquo;authenticit\u00e9<br \/>\nAndr\u00e9 Hamel<\/p>\n<p>Word Events: Perspectives on Verbal Notation, de John Lely et James Saunders<br \/>\nCompte rendu de Cl\u00e9o Palacio-Quintin<\/p>\n<p>Kohlenstoff : collectif montr\u00e9alais et \u00e9tiquette de disques ind\u00e9pendante<br \/>\nCompte rendu de Chantale Laplante<\/p>\n<p>ECM+ G\u00e9n\u00e9ration 2014 : regards sur les quatre compositeurs laur\u00e9ats (1re partie)<br \/>\nSymon Henry<\/p>\n<p>\u00c0 propos des illustrations<br \/>\nIllustrations de Catherine Bolduc<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Contenir le sonore. Les nouveaux profils de la notation Ce volume 25, num\u00e9ro 1 a \u00e9t\u00e9 codirig\u00e9 par Isabelle Panneton et Marie-Pierre Brasset. Il explore le th\u00e8me de la notation musicale sous les angles historique, analytique et esth\u00e9tique, \u00e0 travers les contributions de Caroline Traube, Pierre Couprie, Georges Forget et Fran\u00e7ois-Xavier F\u00e9ron. Introduction : \u00e0 [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[13,10],"tags":[],"class_list":["post-1294","post","type-post","status-publish","format-standard","hentry","category-publication","category-recherche"],"_links":{"self":[{"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts\/1294","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1294"}],"version-history":[{"count":3,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts\/1294\/revisions"}],"predecessor-version":[{"id":1298,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/posts\/1294\/revisions\/1298"}],"wp:attachment":[{"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1294"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1294"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1294"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}