{"id":539,"date":"2012-07-15T20:49:05","date_gmt":"2012-07-15T18:49:05","guid":{"rendered":"http:\/\/www.pierrecouprie.fr\/?page_id=539"},"modified":"2013-04-07T19:37:26","modified_gmt":"2013-04-07T17:37:26","slug":"representations","status":"publish","type":"page","link":"http:\/\/www.pierrecouprie.fr\/?page_id=539","title":{"rendered":"Repr\u00e9sentations"},"content":{"rendered":"

Cette page contient les r\u00e9f\u00e9rences vers les repr\u00e9sentations analytiques que j’ai r\u00e9alis\u00e9es depuis 2000.<\/p>\n

 <\/p>\n

\u00ab Une analyse d\u00e9taill\u00e9e de Bohor (1962) \u00bb<\/strong>,\u00a0Definitive Proceedings of the International Symposium Iannis Xenakis (Ath\u00e8nes, mai 2005)<\/em>, 2007, 9 p.
\nhttp:\/\/cicm.mshparisnord.org\/ColloqueXenakis\/papers\/Couprie.pdf\u00a0<\/a><\/p>\n

\"\"<\/a><\/p>\n

\u00ab Analyse de Jukurrpa \u2013 Quatre r\u00eaves \u00bb<\/strong>,\u00a0Musim\u00e9diane<\/em>, n\u00b01, Paris, SFAM, 2005.
\nhttp:\/\/www.musimediane.com\/spip.php?article3<\/a><\/p>\n

\"\"<\/a><\/p>\n

\u00ab Analyse compar\u00e9e des Trois r\u00eaves d\u2019oiseau de Fran\u00e7ois Bayle \u00bb<\/strong>,\u00a0Demeter<\/em>, Universit\u00e9 de Lille, 2003.
\nRepr\u00e9sentation : http:\/\/demeter.revue.univ-lille3.fr\/analyse\/couprie\/Bayle.swf<\/a>
\nArticle : http:\/\/demeter.revue.univ-lille3.fr\/analyse\/couprie.pdf<\/a><\/p>\n

\"\"<\/a><\/p>\n

\u00ab Repr\u00e9sentation graphique compl\u00e8te de Sud de Jean-Claude Risset \u00bb<\/strong>,\u00a0Jean-Claude Risset. Portraits polychromes<\/em>, INA-GRM\/CDMC, 2001.
\nhttp:\/\/www.inagrm.com\/categories\/jean-claude-risset<\/a><\/p>\n

\"\"<\/a><\/p>\n

\u00ab H\u00e9t\u00e9rozygote et les Presque rien \u00bb<\/strong>, \u00a0Luc Ferrari. Portraits polychromes<\/em>, INA-GRM\/CDMC, 2001.
\n(Article de Daniel Terrugi)
\nhttp:\/\/www.inagrm.com\/categories\/luc-ferrari<\/a><\/p>\n

\"\"<\/a><\/p>\n

\u00ab Vox vocis, f \u00bb<\/strong>,\u00a0Ivo Malec. Portraits polychromes<\/em>, INA-GRM\/CDMC, 2001.
\nhttp:\/\/www.institut-national-audiovisuel.fr\/sites\/ina\/medias\/upload\/grm\/portraits-polychromes\/extraits\/malec\/index.html<\/a><\/p>\n

\"\"<\/a><\/p>\n

\u00ab Comment c\u2019est fait ? Analyse graphique d\u2019un extrait de De Natura Sonorum de Bernard Parmegiani \u00bb<\/strong>,\u00a0La musique \u00e9lectroacoustique<\/em>, Paris, INA-GRM\/Hyptique.net, Musiques tangibles, 2000, CD-ROM Mac et PC.<\/p>\n

\"\"<\/a><\/p>\n

\u00ab Transformation\/transmutation. Analyse d\u2019un extrait de Don Quichotte Corporation d\u2019Alain Savouret \u00bb<\/strong>,\u00a0La musique \u00e9lectroacoustique<\/em>, Paris, INA-GRM\/Hyptique.net, Musiques tangibles, 2000, CD-ROM Mac et PC.<\/p>\n

\"\"<\/a><\/p>\n

\u00ab Mixage. Analyse d\u2019un extrait de M-\u00c9 de Philippe Leroux \u00bb<\/strong>,\u00a0La musique \u00e9lectroacoustique<\/em>, Paris, INA-GRM\/Hyptique.net, Musiques tangibles, 2000, CD-ROM Mac et PC.<\/p>\n

\"\"<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Cette page contient les r\u00e9f\u00e9rences vers les repr\u00e9sentations analytiques que j’ai r\u00e9alis\u00e9es depuis 2000.   \u00ab Une analyse d\u00e9taill\u00e9e de Bohor (1962) \u00bb,\u00a0Definitive Proceedings of the International Symposium Iannis Xenakis (Ath\u00e8nes, mai 2005), 2007, 9 p. http:\/\/cicm.mshparisnord.org\/ColloqueXenakis\/papers\/Couprie.pdf\u00a0 \u00ab Analyse de Jukurrpa \u2013 Quatre r\u00eaves \u00bb,\u00a0Musim\u00e9diane, n\u00b01, Paris, SFAM, 2005. http:\/\/www.musimediane.com\/spip.php?article3 \u00ab Analyse compar\u00e9e des Trois […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":6,"comment_status":"closed","ping_status":"open","template":"","meta":{"ngg_post_thumbnail":0,"footnotes":""},"class_list":["post-539","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/pages\/539","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=539"}],"version-history":[{"count":13,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/pages\/539\/revisions"}],"predecessor-version":[{"id":544,"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=\/wp\/v2\/pages\/539\/revisions\/544"}],"wp:attachment":[{"href":"http:\/\/www.pierrecouprie.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=539"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}